An exploration of race, culture, and identity with an amalgamation of African-American social dance, African, Tap, Jazz, Modern, and Hip-Hop
ink celebrates the rituals, gestural vocabulary, and traditions that remain ingrained within the lineage of the African Diaspora and reclaims African-Americans narratives by showcasing their authenticity. The work examines the culture of Black life that is often appropriated, rewritten, or silenced.
“In an opening solo, Ms. Brown — an exceptionally precise and powerful dancer looks like she is stirring a pot, introducing gestures that recur with different meanings throughout the work. One second, she’s an African griot miming stories, the next she’s a hip – hop D.J. spinning records.” – The New York Times
In collaboration with Music Director Allison Miller, percussionist Wilson Torres, violinist Juliette Jones, and composer/pianist Scott Patterson, ink, is the final installation of Brown’s dance theatre trilogy about identity (along with “Mr. TOL E. RAncE”- 2012, “BLACK GIRL: Linguistic Play” – 2015). Together, using the rhythms and sounds of traditional African and handmade instruments as its center, the work travels through time with elements of Blues, Hip-Hop, Jazz, and Swing. This musical landscape embodies its own storytelling. The movement is an amalgamation of African-American social dance, African, Tap, Jazz, Modern, and Hip-Hop. Through self-empowerment, Black love, brotherhood, exhaustion and resilience, community and fellowship, ink depicts the pedestrian interactions of individuals and relationships as grounds for accessing one’s innate super powers and finding liberation.
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